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Signal
Processing
Features
Remote Control
Inputs and Outputs
Signal
Processing
Lucasfilm
Home THX Ultra 2 Certification: This unit has been built and
tested to conform to the high standards of sound and build quality set by the
THX Ultra 2 Certification program. Home THX is the unique collaboration between
Lucasfilm Ltd. and audio equipment manufacturers. THX Ultra 2 certification is
currently the highest performance level, and provides a rigorous set of
performance standards, along with proprietary surround sound post-processing
technologies, designed to enhance the surround sound playback experience in the
home theater. In addition to improvements to the power amplifier with respect to
previous THX Ultra standards, two surround modes have been added: the THX Ultra
2 Cinema mode and the THX Music mode.
THX Ultra 2
Cinema Mode: This receiver is equipped with a
"THX Cinema" mode that may be used to process movie soundtracks so
they are heard as the movie directors intended them to be heard. All THX Select
Certified receivers include Re-Equalization, Timbre Matching, Adaptive
Decorrelation, Bass Management, Bass Peak Level Manager, and Loudspeaker
Position Time Synchronization (delay).
THX Music
Mode: This receiver is equipped with the THX
Music mode which can be used for playing 5.1 multi-channel music sources. In
this mode, new THX processing is applied to the surround channels to provide a
wide stable rear soundstage.
THX Surround
EX 7.1 Decoding: THX Surround EX soundtracks
have an additional surround channel signal matrix encoded into the standard
surround channel signals of a Dolby Digital soundtrack. When a THX
Surround EX soundtrack is decoded and played through a 7.1 channel system, you
will hear more detailed imaging behind you; this feature brings more depth,
spacious ambience and sound localization to the home theater experience than
ever before. Although THX Surround EX decoding produces the best results
with soundtracks that have been recorded with THX Surround EX processing, the
THX Surround EX 7.1 Decoding feature can be used, with varying results, with all
5.1 channel Dolby Digital, DTS or MPEG soundtracks. THX Surround EX 7.1
playback requires a total of 4 surround speakers; one pair of surround speakers
should be placed to the sides of the listening position, and the other pair of
surround speakers are supposed to be placed behind the listening position.
The receiver is equipped with amplification for all 4 surround speakers.
DTS-ES Extended
Surround: DTS-ES includes the Surround Back
(SB; also known as Surround Rear) channel in
addition to the existing 5.1 surround channels of front left, front right,
center, surround left, surround right, and LFE,
enabling surround playback from a total of 6.1 channels. Due
to differences in surround signal recording methods, DTS-ES offers two types
of signal formats:
- DTS-ES
Discrete 6.1: Discrete 6.1 utilizes the
digital discrete method to record all 6.1
channels, including the newly-added surround back channel, as independent
channels. Since the surround left, surround right,
and surround back channels are fully independent,
sound can be freely designed and sound images
can move freely and rapidly amongst each other within a background
sound that envelopes the room from all sides.
- DTS-ES
Matrix 6.1: In
the Matrix 6.1 format, the surround back channel is matrix encoded in
advance to the surround left and surround right
channels, and when a matrix decoder plays them back, they are
decoded into separate surround left, surround right, and surround back
channels.
DTS Neo:6
Surround: Featuring the newest DTS matrix
processing technology, the DTS Neo:6 function
provides up to 6.1-channel surround sound from conventional stereo
sources, and can be used with virtually any 2-channel stereo source,
analog or digital. Two modes
are provided: Neo:6 Cinema is optimized for surround encoded stereo
movie soundtracks, while Neo:6 Music mode is optimized for superior
surround sound with stereo music sources.
DTS 96/24:
The AVR-5803 is compatible with sources recorded in DTS 96/24, a new
multi-channel digital format. This new format can reproduce high-resolution,
5.1-channel audio on DTS-capable DVD players (those with DTS digital output),
without the need for special players such as DVD-Audio or SACD. Some DVD-Audio
discs will have a DTS 96/24 mix for compatibility with DVD-Video players.
Dolby Pro
Logic II: Pro Logic II is a new Dolby
Laboratories technology that produces surround sound from any stereo source,
including CDs, VHS tapes, and TV programs. Like Dolby Digital, Dolby Pro Logic
II has stereo surround output, giving you a more realistic surround sound
experience. Unlike Dolby Digital, Dolby Pro Logic II allows you to enjoy a
"5.1-like" presentation using any analog stereo source. Pro Logic II
includes a Cinema mode, a Music mode, and an Emulation mode; the Emulation mode decodes audio in the same manner as original Pro Logic.
Dolby
Headphone: This receiver includes the new Dolby
Headphone signal processing mode. Extended headphone listening can cause
fatigue, because all of the sound resonates inside the head. Dolby Headphone
replicates speaker playback in a room and places the sound at the front or the
sides, outside the head, to achieve sound resembling movie or home theaters. The
Dolby Headphone mode is effective for both stereo and multi-channel audio
sources. There are three levels of effect: DH1--Reference room (small room with
weak reverberations), DH2--Live room (slightly stronger reverberations than
DH1), and DH3--Large room (offering a sense of distance and sound diffusion
effects). In addition to Dolby Headphone playback, the AVR-5803 can also output
signals encoded in the Dolby Headphone mode from the recording output terminal
to allow recording to another digital or analog recording device.
Features
Remote
Control: The AVR-5803
is shipped with the Denon RC-8000 multibrand/learning touchscreen remote control
system and the RC-8001ST RF charger/base station. A complete overview of the
remote control system can be found in the "Remote Control" section
below.
Chassis
Construction: The AVR-5803 incorporates a
chassis design in which the digital, analog audio, video, and control circuits
are each isolated in their own blocks. These
circuits are also individually shielded from the
effects of transformer coils in the power section. The total chassis design
preserves the purity of the audio signal from input to
output to give your home theater a clean yet
powerful sound, alive with all the details of the original recording.
Wide Range
Circuit Topology: Front end and power amplifier
circuitry is designed with flat frequency response
that extends to 100 kHz, perfectly suited for next-generation wide range
audio media such as SACD and DVD-Audio.
192kHz/24-bit
Analog-to-Digital Conversion: The AVR-5803 is
capable of 24-bit, 96kHz or 192kHz A/D conversion, which improves
signal-to-noise and dynamic range by approximately 10dB. This A/D conversion and
DSP processing can be done on external input signals (up to 7.1 channels), thus
making it capable to perform bass management and delay processing of DVD-Audio
signals. THX post processing is also possible with this DSP.
192kHz/24-bit
Digital-to-Analog Conversion: Two Burr
Brown linear PCM 192kHz/24-bit DACs are included for each channel, giving the
AVR-5803 a total of 16. The 192kHz sampling and 24-bit word length capabilities
of the DACs allows you to play high-resolution recordings and hear the increased
clarity, detail and dynamic range of those recordings.
ALPHA 24
Processing: The AVR-5803 includes Denon's
renowned 24-bit ALPHA processing technology that
reproduces digital signals in a waveform with the smoothness
of analog signals. This technology thoroughly suppresses annoying
quantization distortion and faithfully reproduces the delicate musical
details of low-level signals. ALPHA 24 processing works in 2-channel Stereo,
Direct, Pure Direct modes.
DDSC-Digital
(Dynamic Discrete Surround Circuit): DDSC-Digital
is a circuit configuration specially designed by Denon in which
all the elements of the surround processor are optimized by the use of
selected high performance discrete elements, including separate A/D and
D/A conversion, with sophisticated dual DSP surround decoding.
Dual 32-bit SHARC Processors:
Featuring the newest Analog Devices 32-bit floating point HammerHead SHARC 21161
DSP devices, the AVR-5803 provides superb resolution and widest dynamic range of
Dolby Digital, DTS and PCM audio signals.
192kHz/24-bit Digital
Interface Receiver: The AVR-5803
employs a total of four 192kHz, 24-bit digital interface receivers, one for
every two channels, enabling multi-channel digital input through the Denon
Digital Link or external digital input to perform at optimum potential.
Fan Cooling: The
receiver is fan cooled for reliable operation at high output levels. The
fan is temperature and volume level sensitive, to minimize or prevent audible
fan noise.
On-Screen
Display (OSD): An OSD can be displayed on
your television for easy system setup. The OSD is sent through the Monitor 1
S-video and composite video monitor outputs; the OSD is not sent through the
component video output, the Monitor 2 S-video output or the Monitor 2 composite
video monitor output.
7.1
Multi-Channel Inputs: The AVR-5803 is equipped with two
7.1-channel inputs to accommodate present and future multi-channel formats, such
as DVD-Audio.
RS-232C Port:
The AVR-5803 includes an RS-232C port for connection to
external whole-house control systems, from
companies such as AMX, Crestron, and others, and
provides a software/firmware upgrade pathway.
IEEE 1394 Expansion: The back
panel and circuitry are ready for the addition of an IEEE 1394 port. IEEE 1394,
also known as "i.LINK", is a high speed digital interface that may be
used for plug and play connection of compatible digital components.
Multi-Zone Output:
The AVR-5803 provides a Multi-Zone Output function and a
Select function that let you output different
sources to multiple zones. Sources can be selected for
output to up to 2 additional zones, in addition to the main room. Multi-room
Zone 1 can have variable pre-amp output along with a
composite video feed, and Multi-room Zone 2 can
have a fixed stereo audio pre-amp output. The
AVR-5803's Power Amplifier Assign function lets you assign the 2 Surround
Back (SB L/R) amplifier channels to instead drive the Multi-room Zone
2 powered speaker outputs, with 170 Watts per channel power output capability,
while still providing 5 full amplifier channels to drive the main and surround
speakers in the home theater room.
Dual Surround Speaker Mode: The
AVR-5803 provides the ability to connect two different sets of surround
speakers, and place them in the appropriate locations in your home theater room,
so that you can enjoy both movie soundtracks and music listening, with optimum
results and no compromise.
Surround
Modes: In addition to straight Dolby
Digital, Dolby Pro Logic, and DTS playback, you can choose from the following
modes:
- THX
Surround EX: THX Surround EX soundtracks
have an additional surround channel signal matrix encoded into the standard
surround channel signals of a Dolby Digital soundtrack. By adding a
surround back channel, this mode gives you more detailed imaging behind you,
allowing for 360-degree surround sound effects.
- Dolby
Digital EX: This mode is optimized for
playing sources recorded in Dolby Digital Surround EX. These sources are
very similar to the THX Surround EX sources, but without THX certification.
- DTS ES Discrete 6.1 and DTS ES
Matrix 6.1: DTS ES Matrix 6.1 performs matrix decoding to create a rear
center speaker. DTS ES Discrete 6.1 features digital discrete recording of
all channels including the surround back channel.
- THX Discrete 6.1 and THX Matrix
6.1: This mode offers an alternative for sources recorded in DTS-ES,
sometimes resulting in a more natural sound.
- THX Ultra 2
Cinema: This
mode applies processing (Re-Equalization, Adaptive Decorrelation, Timbre
Matching, etc.) to recreate the exact sound the movie director intended you
to hear.
- THX Music
Mode: This mode is for playing back
5.1-channel music sources in 7.1 channels.
- DTS 96/24:
You can select this mode for playing
DTS-encoded 5.1-channel music sources if you don't have back surround
channels.
- DTS NEO:6: Allows you to
choose Neo:6 Cinema mode, which is optimized for
surround encoded stereo movie soundtracks, or
Neo:6 Music mode, which is optimized for superior
surround sound with stereo music sources.
- Dolby Pro
Logic II: This mode gives you 5.1-like
sound from 2-channel music and movie sources.
- Wide
Screen: Select this to achieve an
atmosphere like that of a movie theater with a large screen. In this mode,
all signal sources are played in the
7.1-channel mode, including Dolby Pro Logic and Dolby Digital 5.1-channel
sources. Effects simulating the multi- surround speakers
of movie theaters are added to the surround channels.
- Super
Stadium: Select this when watching baseball
or soccer programs to achieve a sound as if you were actually at the
stadium. This mode provides the longest
reverberation signals.
- Rock
Arena: Use this mode to achieve the feeling
of a live concert in an arena with reflected sounds coming from all
directions
- Jazz Club:
This mode creates the sound field of a live
house with a low ceiling and hard walls. This mode gives jazz a very vivid
realism.
- Classic
Concert: Select this for the sound of a
concert hall rich in reverberations
- Mono
Movie: Select this when watching monaural
movies for a greater sense of expansion
- Matrix:
Select this to emphasize the sense of expansion for
music sources recorded in stereo
- 5Ch/7Ch
Stereo: The front left channel signals are
output to the surround and surround back signal left channels, the front
right channel signals are output to the
surround and surround back signal right channels, and the in-phase component
of the left and right channels is output to the
center channel. Use this mode to enjoy stereo sound.
Personal Memory Plus: The
Personal Memory Plus function automatically memorizes the surround modes and
input modes selected for the different input sources. When an input source is
selected, the modes stored in memory for that source are automatically recalled.
The surround parameters, tone control settings and playback level balance for
the different output channels are memorized for each surround mode.
Pure Direct
Mode: In addition to surround sound playback,
the AVR-5803 lets you enjoy pure 2-channel stereo
sound as well through its Pure Direct mode. In Pure
Direct mode, power to the video circuitry and the front panel display
is turned off, and during analog input, power to the digital circuitry
is also automatically turned off. Furthermore, during 2-channel linear
PCM input, the D/A converter section is re-configured to 8 DAC dual-differential
operation (4 DAC channels for each audio channel) to
provide optimum D/A conversion of 2-channel PCM sound sources, such
as CD with the highest transparency and widest dynamic range.
Bass
Management and Speaker Setup: Various
speaker size settings are available to ensure that small speakers do not receive
full-range signals and to tell the receiver where to send signals.
- Front
Speakers: The front speaker size may be
set to "Large" or "Small"
- Center
Speaker: If you have selected
"Large" as the front speaker size, the center speaker may be set
to "Large", "Small" or "None". If you have
selected "Small" as the front speaker size, the center speaker may
be set to "Small" or "None".
- Subwoofer:
You may select "Yes" or "No"
- Surround
Speakers A: If you have
selected "Large" as the front speaker size, the surround speakers
A may be set to "Large", "Small" or "None". If
you have selected "Small" as the front speaker size, the surround
speakers A may be set to "Small" or "None". Note:
If you have selected "None" as the surround
speakers A size, the surround speakers B and surround back speakers are
automatically set to "None".
- Surround
Speakers B: If you have
selected "Large" as the front speaker size, the surround speakers
B may be set to "Large", "Small" or "None". If
you have selected "Small" as the front speaker size, the surround
speakers B may be set to "Small" or "None".
- Surround
Back Speakers: If you have
selected "Large" as the front speaker size and either the surround
speakers A or surround speakers B are set to "Large", the
surround back speakers may be set to "Large", "Small" or
"None". If you have selected "Small" as the front
speaker size, the surround back speakers may be set to "Small" or
"None". If the surround back speaker
size is set to "Small", you may set the number of surround back
speakers to 1 or 2.
- Subwoofer
Crossover Frequency: The frequency of the
low pass filter on the subwoofer output can be set to a fixed (80Hz THX
setting) or variable output according to the speaker's bass playback ability
(selectable between 40, 60, 80, 100, or 120Hz). In addition to these
settings, if you are using a THX Ultra 2 certified subwoofer, you can select
the "Boundary Gain Compensation." The Boundary Gain Compensation
allows the subwoofer to receive very low frequencies (20-55Hz). If the bass
seems too strong, the compensation can be set to "on" to cut the
lower frequencies.
- Delay
Time: The delay time (distance from speaker
to listening position) for each channel can be adjusted from 0 to 60 feet in
0.1 foot increments.
- Test Tone: The
test tone feature allows you to independently adjust the volume level of
each channel
- Bass Peak Level: The bass
peak level may be set to prevent distortion and possible damage to your
subwoofer
Re-Equalization: The tonal
balance of a film soundtrack will be excessively bright and harsh when played
back over audio equipment in the home because film soundtracks are designed to
be played back in large movie theaters using very different professional
equipment. Re-Equalization restores the correct tonal balance for watching a
movie soundtrack in a small home environment.
Timbre Matching: The human ear
changes our perception of a sound depending on the direction from which the
sound is coming. In a movie theater, there is an array of surround speakers so
that the surround information is all around you. In a home theater, only two
speakers located to the side of your head are used. The Timbre Matching feature
filters the information going to the surround speakers so that they more closely
match the tonal characteristics of the sound coming from the front speakers.
This ensures seamless panning between the front and surround speakers.
Adaptive Decorrelation: In a
movie theater, a large number of surround speakers help create an enveloping
surround sound experience, while in a home theater there are usually only two
speakers. This can make the surround speakers sound like headphones that lack
spaciousness. The surround sounds will also collapse into the closest speaker as
you move away from the middle seating position. Adaptive Decorrelation slightly
changes one surround channel's time and phase relationship with respect to the
other surround channel. This expands the listening position and creates, with
only two speakers, the same spacious surround experience as in a movie theater.
CINEMA EQ. (Cinema Equalizer):
The Cinema EQ function gently decreases the level of the extreme high
frequencies, compensating for overly-bright sounding motion picture soundtracks.
Select this function if the sound from the front speakers is too bright. This
function only works in the Dolby Pro Logic II, Dolby Digital, DTS Surround, DTS
Neo:6, and Wide Screen modes.
D.COMP. (Dynamic Range
Compression): Motion picture soundtracks have tremendous dynamic range (the
contrast between very soft and very loud sounds). For listening late at night,
or whenever the maximum sound level is lower than usual, the Dynamic Range
Compression allows you to hear all of the sounds in the soundtrack (but with
reduced dynamic range). This only works when playing program sources recorded in
Dolby Digital or DTS. You can select one of the four settings: "OFF",
"LOW", "MID" (middle), or "HI" (high).
Surround Parameters: You
can adjust the following surround mode parameters:
This parameter turns the effect signals with multi-surround mode speaker
effects on and off in the Wide Screen mode. When this parameter is turned off,
the surround back left and surround back right channel signals are equivalent
to the surround left and surround right channels, respectively.
Level: This parameter sets the
strength of the effect signals in the Wide Screen mode. It can be set in 15
steps, from "1" to "15". Set this to a low level if the
positioning or phase of the surround signals sounds unnatural.
SB Ch Out: This
indicates whether or not you are using the surround back speakers.
Room Size: This sets the size
of the sound field. There are five settings: "Small",
"Med.S" (medium-small), "Medium", "Med.L"
(medium-large) and "Large".
Effect Level: This sets the
strength of the surround effect. The level can be set in 15 steps from 1 to
15.
Delay Time: In the matrix mode
only, the delay time can be set within the range of 0 to 200 ms
Tone Control: This can be set
individually for the separate surround modes other than Direct and Home THX
Cinema
Dialogue Normalization: The
dialogue normalization function is activated automatically when playing Dolby
Digital program sources. Dialogue normalization is a basic function of Dolby
Digital, which automatically normalizes the dialog level (standard level) of the
signals that are recorded at different levels for different program sources,
such as DVD, DTV and other future formats that will use Dolby Digital.
Assignable Digital Inputs: The
11 digital inputs (6 optical and 5 coaxial) can be assigned to the individual
input sources (Example: Optical 1: CD, Optical 2: DVD, etc). Optical inputs 5
and 6 are equipped with an optical digital output jack that can be used for
digital recording between a digital audio source and a digital audio recorder.
There is also a Coaxial Digital RF input jack for a laserdisc player that have a
Dolby Digital RF output.
Component
Video Switching: In addition to composite and
S-Video switching, this unit can switch between three component video sources.
There are 3 component video inputs and 1 component video output; each input and
output has gold-plated jacks labeled "Y", "Pb/Cb" and
"Pr/Cr". This feature allows you to connect, and switch between, high
resolution video sources equipped with component video outputs. High performance
relays provide wideband component video bandwidth (>50 MHz), compatible with
progressive DVD (480p), as well as HDTV formats (720p, 1080i).
Upconverting
Video Signals: The AVR-5803 is equipped with a
video switching system that converts composite video signals to S-Video and/or
composite and S-Video to component video. The input signal types--whether
composite, S-Video or component--are auto detected, then the signal with the
highest picture quality is given highest priority and output to the monitor.
Denon Link: The RJ-45 jack on the back panel allows
the connection of a Denon DVD player (with Denon Link output) for
ultra-clean digital transfer. The Denon Link interface enables the
transfer of high-grade linear PCM 24-bit, 96kHz, 6-channel audio or 24-bit,
192kHz, 2-channel audio via a shielded twisted pair cable. (If the 24-bit 192kHz
sound source is copyright protected, the DVD player may convert the digital
output to a 24-bit, 48kHz signal). Since Denon Link uses low-voltage
differential signaling (LVDS), transfer capabilities of greater than 1.2 Gbps at
a differential voltage of approximately 0.3 Vpp are possible. Since the signal
transfer is balanced and voltage is lower than coaxial or unbalanced cables, the
Denon Link is far less susceptible to radiated noise, ensuring the
highest level of signal transfer. Note: Presently, the only Denon DVD
player with the Denon Link is the DVD-9000.
Last Function Memory:
This unit is equipped with a last function memory, which stores the input and
output setting conditions as they were immediately before the power was switched
off.
Back-Up Memory:
The unit is also equipped with a back-up memory. This function provides
approximately one week of memory storage when the main unit's power switch is
off and with the power cord disconnected.
Remote
Control
Multibrand/Learning RF Remote:
The RC-8000 has controls for an entire home theater system as icons on a backlit
LCD touch screen. You can navigate and make selections by touching the screen
directly. In addition to being pre-programmed to control many brands of
audio/video source components and TVs, this remote also has learning capability,
allowing it to be customized for any installation. When the RC-8000 is used in
combination with the RC-8001ST charger base station, the RC-8000 can communicate
with the receiver via a powerful RF (radio frequency) signal, allowing you to
operate your system from another room. Note: You
can choose from 2 different RF bands, and use
dedicated ID codes to distinguish among multiple
RC-8001ST charger base stations.
Editing
Functions, for Easy Customization: You can
program the RC-8000 to control up to 23 different components. You can
provide each button with a unique label indicating the command you have assigned
it. You can change the assignments at any time, or add new buttons and
delete old ones, to make the RC-8000 work exactly the way you want it to.
Independent
Buttons: Independent buttons have been provided
on the main unit for frequently-used operations,
such as volume control, channel selection, muting,
and backlighting activation.
System Call:
Up to 20 System Call settings (a programmed series of 10
sequentially-issued commands) can be stored. The
System Call programs you have stored can be easily
be checked on the LCD panel.
User Backup:
This function lets you back up your customized settings in
the controller's built-in flash memory, to protect
your customized settings and learned commands from
memory loss due to battery exhaustion.
USB Support:
The RC-8000 includes a USB port that lets you connect it
to a PC where you can back up settings or do
editing work.
Auto Power Off:
To conserve battery power, the Auto Power Off function
automatically blanks the LCD screen after a certain
period of time elapses. This time period can also
be easily customized, as can the backlighting time.
RC-8001ST
Charger Base Station: The RC-8001ST is equipped
with a wired data output terminal as well as an IR
emitter terminal. This wired data output can be connected directly to the
AVR-5803 or to the data input port of a Denon RC-616 IR re-transmitter. In
addition, you can connect an IR supplemental emitter, such as Denon's RC-618,
or other IR emitter types. The RC-8001ST also
provides a battery charging function. The Ni-Cad
battery pack that comes with the RC-8001ST is
inserted into the RC-8000, and you can charge the batteries in the RC-8000 by
simply placing it onto the RC-8001ST charger base station. The excessive charge
prevention function prolongs the Ni-Cad battery life, even if the RC-8000
is left in the charger base station for an extended period. The charger base
station has the following dimensions: W=5.146", H=1.685" (8.294"
with the antenna extended), D=6.303".
Inputs
and Outputs
Front Panel:
- Headphone jack:
Standard gold-plated headphone jack (behind panel)
Rear Panel:
- FM Antenna input:
Threaded female F-connection
- AM Antenna inputs:
Thumb screws
- Phono Input:
Gold-plated stereo RCA jacks with ground screw
- CD Input:
Gold-plated stereo RCA jacks
- DVD Input: Gold-plated
stereo RCA jacks, RCA composite video jack, S-video jack and component video
jacks (3 RCA jacks labeled "Y",
"Pb/Cb" and "Pr/Cr")
- VDP Input: Gold-plated
stereo RCA jacks, RCA composite video jack and S-video jack
- TV Input: Gold-plated
stereo RCA jacks, RCA composite video jack, S-video jack and component video
jacks (3 RCA jacks labeled "Y",
"Pb/Cb" and "Pr/Cr")
- DBS/SAT Input: Gold-plated
stereo RCA jacks, RCA composite video jack, S-video jack and component video
jacks (3 RCA jacks labeled "Y",
"Pb/Cb" and "Pr/Cr")
- V. Aux Input: Gold-plated
stereo RCA jacks, RCA composite video jack and S-video jack
- VCR 1 Input/Output: Gold-plated
stereo RCA jacks, RCA composite video jacks and S-video jacks
- VCR 2 Input/Output: Gold-plated
stereo RCA jacks, RCA composite video jacks and S-video jacks
- VCR 3 Input/Output: Gold-plated
stereo RCA jacks, RCA composite video jacks and S-video jacks
- CD-R/Tape 1 Input/Output: Gold-plated
stereo RCA jacks
- MD/Tape 2 Input/Output: Gold-plated
stereo RCA jacks
- Monitor Output 1:
Gold-plated RCA composite video jack and S-video jack (both provide an
on-screen display signal)
- Monitor Output 2:
Gold-plated RCA composite video jack and S-video jack (neither jack provides
an on-screen display signal)
- Component Monitor Output: 3
RCA jacks labeled "Y", "CB" and
"CR" (does not provides an on-screen display signal)
- Multi-Zone 1 Output: Gold-plated
stereo RCA jacks and RCA composite video jack
- Multi-Zone 2 Output: Gold-plated
stereo RCA jacks
- EXT. Input 1: 8 gold-plated
RCA jacks that may be used for 7.1 multi-channel input from an outboard
decoder (front left, front right, center, surround left, surround right,
surround back left, surround back right, and subwoofer)
- EXT. Input 2: 8 gold-plated
RCA jacks that may be used for 7.1 multi-channel input from an outboard
decoder (front left, front right, center, surround left, surround right,
surround back left, surround back right, and subwoofer)
- Preamp Outputs: 8
gold-plated RCA jacks (front left, front right, center, surround left,
surround right, surround back left, surround back right, and subwoofer)
- Dolby Digital RF Input: Gold-plated
RCA input for connection to an AC-3 RF output of a laser disc player
- 5 Coaxial Digital Inputs: 5
gold-plated coaxial digital inputs (these digital connections may be
assigned to any input, except the Tuner or Phono input). Coaxial Digital
Inputs 1-4 are also labeled Digital Ext. In for a future
"extended" function.
- 6 Optical Digital Inputs: 6
Toslink digital inputs, each with a plastic protective plug (these digital
connections may be assigned to any input, except the Tuner or Phono input)
- Optical Digital Output 5:
Toslink optical digital output with a plastic protective plug (outputs the
signal coming into the optical digital 5 input)
- Optical Digital Output 6:
Toslink optical digital output with a plastic protective plug (outputs the
signal coming into the optical digital 6 input)
- Denon Link Input:
RJ-45 jack with a plastic protective plug for connecting to a compatible
Denon DVD player (such as DVD-9000) for high resolution audio transfer.
- RS 232 Port: For
connection to external whole-house control
systems, from companies such as AMX, Crestron, and others,
and provides a software/firmware upgrade pathway
- Power Amp Output: Connects
to a compatible Denon power amplifier
- Room to Room Input:
Mini-jack for use with optional Denon RC-616 IR
re-transmitter
- Room to Room Output:
Mini-jack for future use
- Speakers:
Binding post outputs for front, center,
surround A, surround B, surround back, and multi-zone 2 speakers (not
5-way, because a plastic collar prevents their use with spade lugs and they
are positioned too far apart to be used with dual banana plugs)
- AC In: AC jack for supplied
AC power cord
- AC Outlets: 3
switched AC outlets, maximum total 120W 1Amp
- Trigger Output: Mini-jack
for sending out a 12-volt turn-on signal to another component, such as an
amplifier, that accepts a 12V trigger.