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Autosound 2000 Disc Two

Image/Placement Test CD

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  • Autosound 2000 Disc Two

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Our take on the Autosound 2000 Disc Two

Autosound 2000 has created this series of test CDs for the professional and the serious hobbyist. Each disc is designed to test a specific performance parameter of your vehicle's audio system.

Disc Two includes 32 tracks that help you evaluate and improve your system's stereo imaging.

Please call a Sales Advisor for a complete track listing. You save about $10 when you buy the 5-disc set.

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What's in the box?

  • CD 2: Imaging/Placement Tests
  • How-to-use information

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Disc 2: Imaging/Placement Tests

  • Track 1: Eyes of Love, Michael Ruff, stereo 3:30
  • Track 2: Eyes of Love, Michael Ruff, mono 2:00
  • Track 3: Eyes of Love (L,C,R) constant power 2:00
  • Track 4: Eyes of Love (L,C,R) constant voltage 2:00
  • Track 5: Three snare drum beats (L,C,R) 0:17
  • Track 6: Seven snare drum beats across the sound stage 0:24
  • Track 7: pink noise, band-limited, 2.5 kHz to 20 kHz 1:00
  • Track 8: pink noise, band-limited, as in Track 7, but (L,C,R) 0:36
  • Track 9: pink noise, band-limited, 400 Hz to 2.5 kHz 1:00
  • Track 10: pink noise, band-limited, as in Track 9, but (L,C,R) 0:36
  • Track 11: pink noise, band-limited, 100 Hz to 400 Hz 1:00
  • Track 12: Same as above
  • Track 13: pink noise passed through a 100 Hz low-pass filter 1:00
  • Track 14: Same pink noise as in Track 13, but C is (-6db) 0:36
  • Track 15: pink noise (20 Hz to 20 kHz), left channel only 1:00
  • Track 16: pink noise (20 Hz to 20 kHz), right channel only 1:00
  • Track 17: Correlated pink noise (20 Hz to 20 kHz) 1:00
  • Track 18: Un-Correlated pink noise (20 Hz to 20 kHz) 2:00
  • Track 19: 1/3-octave bands of  noise from 100 Hz to 20 kHz 2:00
  • Track 20: 1/3-octave band noise from 400 Hz to 20 kHz and (L,C,R) 4:30
  • Track 21: Demonstration of comb filtering 0:45
  • Track 22: Out-of-phase correlated pink noise (l-R) 1:00
  • Track 23: Correlated pink noise that slowly fades to black 1:53
  • Track 24: Stereo drum recording for accurate placement 0:54
  • Track 25: 50 Hz tone, clipped 14-18 seconds, then all high bits 1:00
  • Track 26: 400 Hz tone, clipped 14-16 seconds, then all high bits 1:00
  • Track 27: 1 kHz tone, clipped 12-15 seconds, then all high bits 1:00
  • Track 28: 4 kHz tone, clipped 15-20 seconds, then all hIgh bIts 1:00
  • Track 29: 8 kHz tone, clipped 13-19 seconds, then all high bits 1:00
  • Track 30: Asynchronously generated low frequency tones 1:00
  • Track 31: "Trial of Seconds" musical composite track for SPL 2:30
  • Track 32: Digital black recording of all low bits 5:00
 
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